新年演出季 德国弗洛兹默剧剧团 幻想面具默剧《梦幻剧团》

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广州大剧院 实验剧场 查看交通路线

2017年12月07日 —— 2017年12月10日多场

180

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  • 演出时长:80分钟(无中场休息)
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  • 权威五星剧评:
  • 《星期日泰晤士报》☆☆☆☆☆
  • 《艺穗官方指南》☆☆☆☆☆
  • 《英国剧院指南》☆☆☆☆☆
  • 《百老汇宝贝》☆☆☆☆☆
  • 《The List》☆☆☆☆☆
  • 《The Stage》☆☆☆☆☆
  • 《Across The Arts》☆☆☆☆☆
  • 全球29个国家上演超过600场次
  • 2016年爱丁堡国际戏剧节售罄佳作
  • 2017伦敦国际默剧节参演剧目
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  • 无需语言却极具表现力,充满向往,也充满欢乐。这是一个极好的、极富技巧的喜剧。
  • ——英国《卫报》
  • 演出结束,剧院满场,《梦幻剧团》让所有人为之着迷。剧团用诙谐幽默、极具魅力和激情的方式讲故事,似乎会上瘾。
  • ——美国《纽约时报》
  • 我们听到观众在欢呼雀跃,我们的幻想在飞速前进,《梦幻剧团》的创意起源非常简单、智慧。
  • ——德国《柏林日报》
  • 剧情梗概
  • 梦幻剧团是生活在剧院里的剧团。他们是一个美妙的组合,擅长世界知名戏剧中的惊险打斗场面、致命阴谋和令人心碎的咏叹调。表面来看,他们夜以继日地驶向前所未有的成功。而另一方面,三位幕后工作者的隐秘生活,如今重见光明。梦幻剧团创造了一个居住在剧院里的小家庭:高效率的鲍勃很年轻、强壮、难以捉摸;慢性疲劳、体弱多病的伯纳德总是颐指气使、无事可做;时常感到饥饿的伊万总是很焦虑,担心演出失去控制。区别于舞台上璀璨的明星,简陋的舞台布景背后,三位不知疲惫的工作人员在另一个空间里争取属于自己的欢乐。该剧借由三个幕后工作人员与各类演出表演者的互动关系点出虚幻舞台与真实人生的一线之隔,3位演员演绎多达30个角色让人叹为观止。
  • 德国弗洛兹默剧剧团
  • 被喻为具有疗愈功能的德国弗洛兹默剧剧团成立于1994年,是一个集剧场工作者、演员、音乐家、舞者、导演、面具、灯光、服装设计、戏剧顾问于一体的剧团。它的作品以幽默风趣且饱含诗意著称,演出足迹遍布世界各地。独特的面具默剧表演形式,引发观者高度想象力。在过去的20年中,随着在法国、荷兰、丹麦、斯洛伐克等地的演出并获得多座奖项而名声大噪,弗洛兹默剧剧团的演出遍布全球32个国家,并于亚维侬艺术节、伦敦默剧节、以色列艺术节、布拉格国际艺术节、华沙默剧节等19个艺术节中惊爆演出。2016年11月,剧团首次中国巡演,疗愈黑色喜剧《天堂大酒店》受到观众喜爱。
  • 弗洛兹默剧剧团将舞台变为无声,它创造的面具是其戏剧人物最重要的表现工具,演员戴着面具掩饰了人物的眼神和脸部表情,遮盖了情感的直接表达,人偶既无生命气息也无言以对。但面具提供了明确的角色与个性,演员的情绪可以借助肢体语言放大,造成另一种夸张的情感表现。无论是争吵冲突还是温暖亲昵,都充满想象与舞台张力。加上连贯性的剧情,让各年龄层的观众都浅显易懂。
  • ----------------------------------------------------英文网文--------------------------------------------------------
  • New Year Season
  • Teatro Delusio by Familie Flöz
  • Performance Time: 2017/12/7(Thur)8pm
  • 12/9(Sat)3pm
  • 12/10(Sun)8pm
  • Performance Venue: Experimental Theatre, Guangzhou Opera House
  • Price: 180 380 580VIP
  • Performance Duration:80min. (no interval)
  • TEATRO DELUSIO is theatre in the theatre.A fantastic ensemble excels in breathtaking fighting scenes, deadly intrigues and heartbreaking arias of world-famous plays. Night by night they steer towards unprecedented triumphs. That is on one side. On the other side three stage technicians work in the backstages' darkness. Their lives, which usually remain hidden, now recede into the light.
  • Familie Flöz has created a small family, whose home is the theatre itself: the efficient Bob is young, strong and unpredictable; the chronically tired and sickly Bernd is constantly bossed around and the idle, always hungry Ivan is permanently anxious not to loose control over the shows.
  • Separated from the radiant stars on stage by nothing more than a sparse scenery the three untiring helpers are fighting for their own happiness in a different universe. Yet in a magical way the glamorous world of pretence connects and is blended with the down to earth life backstage.
  • TEATRO DELUSIO is once again the art to say everything without a single word.
  • About Familie Flöz
  • Familie Flöz is a German-based theater company that uses humor, masks, improvisation, mime and physical comedy to create family-friendly shows. The company was begun in 1994 by Hajo Schüler and Markus Michalkowski, acting and mime students at the Folkwang University of the Arts in Essen in the Ruhr Area of Germany, and fellow Michael Vogel joined soon thereafter. Their first production, a comic piece on life on a construction site, premiered at the university in 1994. A few years later, the Familie Flöz performed at the Cologne Comedy Festival and the Kulturbörse Freiburg.
  • Beginning with its second production, Restaurante Immortale, in 1998, the Familie Flöz gave up using language in its works, instead relying on visuals and music. Familie Flöz productions were hits at both the Edinburgh Festival in 2001 and at the London International Mime Festival. The company first selected the name Flöz Production at the Edinburgh Festival, which later became Familie Flöz. According to The Hindu, “The name is from their first play about undergrounders springing out of a hole in the earth, where mines have veins (floz) of gold.″
  • Familie Flöz has been based in Berlin since 2001. They have performed in 34 countries. All productions are produced in creative collaboration among the troupe's four members, which now consists of Björn Leese, Benjamin Reber and original members Schüler and Vogel. All the troupe's members have jobs outside the theater, as well. Vogel, who serves as the company's director, explained why the Familie Flöz uses masks: “Masks set the imagination free. The viewer can create his own images undistracted by the actor’s facial expressions. The actor can make the experience richer. The mask is fixed. But as an actor I can make it laugh, cry… and make the audience laugh and cry.”
  • Press review
  • Wordless and yet somehow so expressive, full of yearning and yet also filled with joy; this is splendid and immensely skillful character comedy.
  • THE GUARDIAN
  • The show is over, the theatre was full, “Teatro Delusio” has enthralled everyone (…) Familie Flöz tells stories with a humor, a charm and a furor that seems to be addictive.
  • SÜDDEUTSCHE ZEITUNG
  • We hear the audience cheer and whistle (…) Our fantasy goes on a rampant run (…) The basic idea behind “Teatro Delusio” is as simple as it is brilliant.
  • BERLINER ZEITUNG
  • It’s a source of never-ending wonder that masks can convey such a myriad of human emotions (…) masterful (…)
  • THE SCOTSMAN
  • At the end of a performance one could swear that the actors had spoken, laughed and cried. A fascinating experiment in theater that is executed with incredible body control.
  • SÜDDEUTSCHE ZEITUNG
  • Familie who? It’s the Berlin artist collective whose mask theatre is causing furore and selling out theatre houses in the whole world.
  • DIE WELT
  • The public squeals with enthusiasm, people stomp their feet and, when it is all over, they stand on their chairs as if thanking the performers for the gift they have just received. Theater can be magnificent.
  • BERLINER ZEITUNG
  • The roars of laughter encroaching from every side, whether hysterical howl or drawn-out, knowing sigh, truly were bolts out of the theatre sky, thundering into the hall without advance warning.
  • LE MONDE
  • A creation entirely without words yet extraordinarily eloquent, thanks on the one hand to the large, whimsical masks which have made the German theatre company famous throughout the world, and, on the other hand, to that uniquely sophisticated body control able to imbue the rigidity of the masks with an unimaginable array of expression and emotion.
  • LA REPUBBLICA
  • A creation of great poetic power that will long be remembered.
  • EL MUNDO
  • A Familie Flöz production with Theaterhaus Stuttgart
  • A PLAY BY: Paco González, Björn Leese, Hajo Schüler, Michael Vogel
  • WITH: Andrès Angulo / Björn Leese / Dana Schmidt, Daniel Matheus / Johannes Stubenvoll / Michael Vogel, Sebastian Kautz / Thomas van Ouwerkerk / Hajo Schüler
  • PREMIERE: 18 February 2004, Glashaus Arena Berlin, Germany
  • DIRECTION: Michael Vogel
  • MASKS: Hajo Schüler
  • SET DESIGN: Michael Vogel
  • COSTUMES: Eliseu R. Weide
  • SOUND DESIGN: Dirk Schröder
  • LIGHT DESIGN: Reinhard Hubert
  • SOUND TECHNICIANS: Florian Mönks, Thomas Wacker
  • LIGHTING TECHNICIANS: Sylvain Faye, Max Rux
  • GRAPHICS: Silke Meyer
  • PRODUCTION MANAGEMENT: Gianni Bettucci
  • PRODUCTION ASSISTANCE: Dana Schmidt
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中文名:广州大剧院 实验剧场

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